Many translated example sentences containing "take me on a trip" – German-English dictionary and search engine for German translations. Many translated example sentences containing "Take me" – German-English dictionary and search engine for German translations. Übersetzung im Kontext von „take me on“ in Englisch-Deutsch von Reverso Context: Think you can take me on?
Take On MeEntdecken Sie take me on von Joan bei Amazon Music. Werbefrei streamen oder als CD und MP3 kaufen bei polaroidwork.com Take On Me ist ein Popsong der norwegischen Band a-ha aus ihrem ersten Album Hunting High and Low aus dem Jahr Es war die Debütsingle der. Many translated example sentences containing "Take me" – German-English dictionary and search engine for German translations.
Take Me On Navigation menu Video[A-ha FR] a-ha Take On Me Live BBC One 09-11-2018 Take on me (take on me) Take me on (take on me) I'll be gone In a day or two. So needless to say Of odds and ends But I'll be stumbling away Slowly learning that life is OK. Say after me, "It's no better to be safe than sorry." Take on me (take on me) Take me on (take on me) I'll be gone In a day or two. Oh, things that you say. Yeah. A-ha did win eight MTV Video Music Awards, six for "Take On Me" and two for "The Sun Always Shines on TV". "Take On Me" was also nominated for Favorite Pop/Rock Video at the American Music Awards of A-ha have won 10 Spellemannprisen awards, the Norwegian equivalent of the Grammy Awards. “Take on Me” is a synthpop song that combines various instrumentation that includes acoustic guitars, keyboards, and drums. It was released as a-ha’s debut single in September to huge success. Take Me On Lyrics: I was in a song and it turned me around so / I never heard a word you said / And with so much going on, your words they just got lost / And I wouldn't even try to guess / But the. “take me on” is Joan’s first official single. It was first released through 20XX Entertainment, and then appeared as the second track on their debut EP portra. In an interview, the duo stated that. Retrieved 4 August Retrieved 5 July The music video was directed by Stuart Gosling. I thought, Betty Cooper can somebody who A Cure For Wellness Streamcloud like a film star sound like Roy Orbison? Records UK. Do you like this content? Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri. ParisainGoldfish All reviews 32 people found this review helpful. How to Catch Fish How to Tie Fishing Knots Fishing Gear and Tackle How to Fish with Lures How to Fish with Live Bait Fishing Safety Fishing Tips When to Fish Types of Fishing Take Me On Terms Fishing and Conservation Fishing Resources View All. The racers smash the looking glass with the pipe Son Goku Dragonball, trapping the woman Spa Oasen München the comic book.
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The original version was produced by Tony Mansfield and remixed by John Ratcliff. The version was produced by Alan Tarney for the group's debut studio album, Hunting High and Low The song combines synth-pop with a varied instrumentation, including acoustic guitars , keyboards, and drums.
The original "Take On Me" was recorded in and took two versions and three releases to chart in the United Kingdom, reaching number two on the UK Singles Chart in October In the United States in October , it became the only A-ha song to top the Billboard Hot , assisted by wide exposure on MTV of its innovative music video, directed by Steve Barron.
The video features the band in a live-action pencil-sketch sequence. The video won six awards and was nominated for two others at the MTV Video Music Awards.
One of the tracks rehearsed around this time was called "Miss Eerie", which had an original title of "Panorama". It included elements of what would later become "Take On Me", including the central synth riff, which Magne Furuholmen created when he was 15 years old.
Soon after, Bridges disbanded. Waaktaar and Furuholmen relocated to London to try their hand in the music industry there, but returned to Norway after six months of disappointment.
In January , the band returned to London in search of a recording contract. The band moved into an apartment in London and began contacting record companies and publishing houses.
A-ha returned to Norway to earn some money; when they returned to London, they left Lionheart out of frustration.
The band signed with Ratcliff, who introduced them to manager Terry Slater. With this encouragement, the band managed to complete some songs, including "Take On Me".
After a few meetings, Slater signed them with Warner Bros. Records UK. The band met with producer Tony Mansfield, an expert in the use of the Fairlight CMI , who mixed the demos with electronic instrumentation.
The sound was not what A-ha had hoped to achieve, and the album was remixed again. The band rushed to release "Take On Me" as a single in the United Kingdom but the single only charted at , the lowest-charted of all A-ha songs.
After this, Warner Brothers' main office in the United States decided to invest in the band, and gave them the opportunity to re-record the song.
Magne played the main melody on a Roland Juno analog synthesizer. Paul also played the main riff on a second keyboard at the same time as mags.
The Yamaha DX7 and PPG Wave synthesizers were also used for the song. The drum machine used on the second and third releases rotoscoped video version was a LinnDrum — Paul overdubbed real cymbals and hi-hat using this drum machine.
Morten sang "Take On Me" using a Neumann U47 microphone as well as a Neve microphone pre-amp and Neve equaliser.
In , former Warner Brothers UK and Reprise executive Andrew Wickham appeared in A-ha's official anniversary documentary A-ha: The Making of Take On Me , to explain how the song's success was due to several parties realising the band's true value.
He detailed how the song finally became the worldwide smash hit still widely recognised today. He said, "I got a call from Terry Slater I couldn't believe my ears at the band's audition when I heard Morten Harket sing.
I thought, how can somebody who looks like a film star sound like Roy Orbison? I thought, this is unbelievable. Wickham immediately signed A-ha to Warner Brothers America, after learning several previous attempts had failed to make "Take On Me" a commercial success.
The next release was not successful either and featured a very ordinary performance video. He authorised considerable investment in the band: on Slater's recommendation, renowned producer Alan Tarney was commissioned to refine the song.
The new recording achieved a cleaner and more soaring sound and a coda section instead of the earlier quick fade-out; the song was soon completed and re-released in the UK, but the record label's office in London gave them little support, and the single flopped for the second time.
Wickham placed the band on high priority and applied a lateral strategy with further investment. Steve Barron directed a revolutionary rotoscoping animation music video which took six months to create, using professional artists.
The single was released in the USA one month after the music video, and immediately appeared in the Billboard Hot  and a worldwide smash, reaching No.
AllMusic journalist Tim DiGravina described "Take On Me" as "a new wave classic laced with rushing keyboards, made emotionally resonant thanks to Morten Harket's touching vocal delicacy.
Harket demonstrates a vocal range of over two and a half octaves. As the chorus progresses, Harket's voice hits ever higher notes, reaching a falsetto    and hitting the song's highest note E 5 , the dominant note at the end.
The first release of "Take On Me" in includes a completely different recording, and was featured in the first video, which shows the band singing with a blue background.
The second video, directed by Irish-born British film director Steve Barron , is the far more widely recognised video for the song.
The video's main theme is a romantic fantasy narrative. It then cuts to a scene in a cafe, in which a young woman, played by Bunty Bailey Harket's girlfriend at the time ,  is reading the comic book.
As the woman reads, the waitress brings her coffee and the bill. The comic's hero, after winning the race, seemingly winks at the woman from the page.
His pencil-drawn hand suddenly reaches out of the comic book, inviting the woman into it. Once inside, she too appears in the pencil-drawn form, as he sings to her and introduces her to his black-and-white world which features a sort of looking-glass portal where people and objects look real on one side and pencil-drawn on the other.
Back in the cafe, the waitress returns to find the woman missing. Believing the customer left without paying the bill, she angrily crumples and throws the woman's comic book into a bin.
This causes the hero's two opposing racers to reappear as villains, one of them armed with a large pipe wrench. The racers smash the looking glass with the pipe wrench, trapping the woman in the comic book.
The hero punches one of the thugs aside and retreats with the woman into a maze of paper. Arriving at a dead end, he tears a hole in the paper wall so that the woman can escape as the menacing opposing racers close in on him and they raise their pipe wrench to his face.
The woman, now back in the real world and found lying beside the bin to the surprise of cafe guests and staff, retrieves the comic from the bin and runs home where she attempts to smooth out the creases to learn what happens next.
The next panel shows the hero, lying seemingly lifeless; and the woman begins to cry. However, he then wakes up and tries to break out of his comic-book frames.
At the same time, his image appears in the woman's hallway; seemingly torn between real and comic form, hurling himself repeatedly left-and-right against the walls as he attempts to shatter his two-dimensional barrier This scene is largely patterned after a climactic scene in the film Altered States.
He escapes from the comic book by becoming human and stands up.