Find War of the Living Dead at polaroidwork.com Movies & TV, home of thousands of titles on DVD and Blu-ray. Die Nacht der lebenden Toten (Originaltitel: Night of the Living Dead) ist ein US-amerikanischer Horrorfilm aus dem Jahr von George A. Romero. Verdammt, die Zombies kommen (Originaltitel: The Return of the Living Dead) ist eine Zombie-Komödie von Drehbuchautor Dan O'Bannon aus dem Jahr
Verdammt, die Zombies kommenBeim Living Dead Erlebnis lehrst du den Zombies das Fürchten. Entdecke jetzt dieses und über weitere Erlebnisgeschenke. The Living Dead | Adams, John Joseph | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. Find War of the Living Dead at polaroidwork.com Movies & TV, home of thousands of titles on DVD and Blu-ray.
The Living Dead Navigation menu VideoThe Return of the Living Dead (8/10) Movie CLIP - Punks vs. Zombie (1985) HD
There were numerous parts of the story that barely mentioned the zombie pandemic and I found myself searching for them on the page.
There were a few chapters written from the perspective of the zombies, which I really enjoyed. Those narrative viewpoints were just so engaging and unique.
While I enjoyed a lot of aspects of this novel, I felt like it did not completely come together. As a co-authored book, I had no idea how the two authors' writing was combined.
Certain sections, like the beginning and the zombie viewpoint chapters, really stood out, which made me wonder if they were the original material.
The later sections of the book just felt a bit muddle and disorganized. This book was very long and I felt like it suffered from some meandering plots.
The story was told from multiple perspectives and some were much more engaging than others. So while I did not end up loving this one as much as I hoped, there was still a lot to appreciate.
I would recommend this book primarily to those readers that enjoy epic horror books that incorporate multiple perspectives and storylines.
This is the kind of zombie fiction that I would recommend to those that do not normally read the subgenre. Instead, this book is much more of a character-focused narrative, which happened to be told against the backdrop of a worldwide zombie pandemic.
Disclaimer: I received a review copy of this book. Apr 18, Erin rated it really liked it Shelves: august , i-won-it-in-a-giveaway. Giveaway Win!
This book was a MONSTER! I use to love reading books with massive page counts but these days its hard for me to read big books.
Maybe its just old age I'll be 35 in December but I'm super intimidated by books with more than say pages.
That's why it took me so long to finish this book. I always enjoyed it when I actually picked it up to read it. No matter how much time passed I could easily pick each plot back up.
I wasn't even bothered by the fact that this book had a lot A LO Giveaway Win! I wasn't even bothered by the fact that this book had a lot A LOT of characters you know how annoyed I am by huge character counts.
The writing was top notch and even when I wasn't reading it, I still wanted to. The Living Dead is about the rise of zombies and the long lasting effects it has on civilization.
Taking place over 15 years The Living Dead like most zombie stories is less about the "undead" and more about how people can be both awful and hopeful in a time of crisis.
I've never watched the show The Walking Dead but I've been told that its not the zombies that you need to worry about.
This was the brainchild of horror master George A Romero. Romero is most famous for the classic zombie movie Night of the Living Dead.
Romero had apparently been working on this story for over 30 years but died before his vision could be completed, so writer Daniel Kraus was brought in to bring this story over the finish line.
I got the feeling that Kraus took Romero's basic outline and then wrote his own story the way he thought Romero would have.
The Living Dead is a beast of a book but I never felt like it dragged. I would definitely recommend this to true horror lovers!
Aug 11, Mogsy MMOGC rated it really liked it Shelves: netgalley , arcs-and-galleys , post-apocalyptic , review-copy , horror , apocalyptic , zombies.
In , the man known as the father of the zombie film George A. Romero passed away from lung cancer, leaving his novel unfinished. On the night of October 23, like any other night, medical examiner Dr.
Soon, this crisis of the dead coming back to life begins spreading across the globe, with the reanimated corpses relentlessly targeted the living, adding to their numbers.
In Washington DC, a statistician and researcher named Etta Hoffman receives news of patient zero and, recognizing it as the spark that creates a wildfire, begins to put together a detailed timeline documenting what is the beginning of the end of the world.
Meanwhile, in a trailer park in Missouri, teenager Greer Morgan steps out her door on the way to school, only to find a scene of nightmare unfolding on her front steps.
As her neighbors tear each other apart, she barely manages to escape. And finally, in the middle of the Pacific Ocean, US Navy officer Karl Nishimura also watches in horror as he and his crew aboard the aircraft carrier Olympia become overrun by zombies, leading to a complete breakdown of the chain of command.
And the more I thought about it, the fact that this book was written by two authors, with Kraus completing what Romero started, became more and more impressive.
While Kraus is no stranger to collaborations, this one must have presented unique challenges, the least of them being to decide what Romero might have intended for the direction of his novel.
As for my thoughts on The Living Dead, I am one of course to enjoy a good zombie story every now and then, but what I loved most about this one was the way it felt so personal.
Sure, with regards to the amount of blood and gore we have our share of both and more, but what I also delighted in was the intimate treatment of the individual characters and moments spent with them in their quieter, more introspective moments.
This is a story about how our society might react to a horrible crisis, but it also explores actions and motivations of the individual.
Comprised of multiple parts, it reads like a retrospective chronicling of events long past, allowing for the level of attention to detail I enjoyed, though it also robs the storytelling of a sense of urgency.
The ending is raw, bitter, harsh…and in my opinion, completely apt. All in all, even in the face of its hefty length, The Living Dead was a worthwhile read and a must-have for every zombie enthusiast and George A.
Jun 11, CYIReadBooks Claire rated it really liked it Shelves: bookishfirst-won. A crawl out of your skin story. Unlike the movies, this book is an entirely new novel.
Although a little lengthy, the storyline will keep you engaged. It begins in the morgue where the medical examiner and his assistant are horrified and terrorized by the reanimation of a recently deceased man.
A dead man that has come back to life and wants to eat them. Elsewhere in a small trailer park, a young girl can't believe that her family and neighbors have died and come back to life as zombi Horrifying!
Elsewhere in a small trailer park, a young girl can't believe that her family and neighbors have died and come back to life as zombies. Zombies or ghouls that want to devour her.
And so it goes. The dead and dying are transformed into a miasma of animated decaying flesh How does it end? Do the zombies overtake the earth? Does humanity survive?
Who lives and who dies? Find out what happens to everyone is this epic horror novel. You will always be. It was the coming of death that allowed you to live.
There is a beautiful pun contained in the title that only comes into its own at the end. We think we have problems with Covid … wait until you have to deal with a horde of slavering zombies.
Co-writer 'You have always been the living dead. No one could force rewrites via a slashed budget. No one could make him to cut his best effects to protect the sensibilities of a delicate populace.
This included: … a bonkers sequence in which a woman is rescued from ritual genital mutilation only for her rescuer to crash their getaway jeep and be thrown into a river, whereupon he turns zombie and starts after her, only to be suddenly ripped apart by hippopotamuses.
Then Romero discovered that writing a book was actually bloody hard work, which meant the project languished until his unfortunate death from cancer.
Kraus did meet Romero and his agent Chris Roe to discuss a potential collaboration, but nothing came of this until well after Romero had passed away.
The fact that he knows everything there is to know about Romero and his zombie legacy — and I do mean everything — is one thing. But how to translate all of this effectively into a novel, of all things, that still felt, er, fresh and alive after so many, many different adaptations in a range of media was there ever a Broadway musical, I wonder?
The fact that The Living Dead is such an instant classic is that not only does Kraus adhere closely to the zombie lore introduced in the original Night of the Living Dead movie, he also takes a leaf out of such classic apocalypse novels like The Stand and more recently Wanderers by Chuck Wendig : Adhere closely to a key group of characters across disparate storylines, and slowly intertwine these until they tangle together … often in the most unexpected ways.
This was an exhausting read not only due to its considerable length and yet there is not a wasted scene , but because it was such an unexpectedly emotional read.
Usually disaster movies and novels like these opt for a Big Finale; Kraus goes against the grain by focusing on introspection and revelation, which makes his unusual choice for the ending all the more transcendent.
Make no mistake though, this is still a hugely enjoyable read: Grimly funny throughout, there are huge setpieces and little bits-and-bobs of outright horror that will make even the most hardened zombie fan blanch.
View all 4 comments. Mar 01, Intellectual Magpie rated it it was amazing. When I got The Living Dead by George A.
Told almost like your reading archives in the future this boo When I got The Living Dead by George A.
Told almost like your reading archives in the future this book follows the story and path of a long list of characters through life death and rebirth for some..
The ending is bitter and in my eyes, fitting. Raw and honest. This book is the closest to my thoughts of human nature. If you enjoy horror I definitely recommend snatching up a copy of THE LIVING DEAD!
Thank you for the early review copy!!! Jul 23, Holly The Grimdragon rated it it was amazing Shelves: horror-mystery-thriller. The body sagged to the floor, limp as a steak, except for the head, which was still noosed in computer cables.
Bloody drool, the last thing John Doe would ever offer, skimmed down a power cord. Romero died in , not only did he leave behind a legendary collection of movies and a massively loyal fan base, but there was also an epic zombie novel that was left unfinished.
This novel, which reboots the zombie crisis, was an original story that the iconic horror master had been working on for many years. Romero had laid the groundwork, but it was Daniel Kraus who completed the doorstopper after another two years.
Not only was half of the book incomplete, but there was this constant flow of new material that kept popping up.
I believe this book is better for it, as it felt like a true collaboration. Even from beyond the grave, Romero was making his voice heard.
Set in modern times, The Living Dead expands fifteen years into the future, whereas the films never went further than five years.
Divided in three acts, the short and snappy chapters pummel the stories desperately into your face. While the gnarly and gooey and sensational action scenes are wildly entertaining, the characters are the beating heart of what makes this a genre masterpiece.
Among the long list of diverse characters that appear, those that stood out for me include: Jenny, Greer, Muse, Luis, Charlie, Hoffmann and Snoop.
I dug the few passages that were told from the perspective of the ghouls, as well. The Living Dead was exactly what I needed right now.
After all, what better time is there to devour a story about the world coming to an end than during a real, ongoing pandemic? Romero made Night of the Living Dead, the zombie genre has been done to death ::WHOMP, WHOMP:: thanks to entertainment like The Walking Dead.
However, this reboot feels incredibly relevant to the world today if a zombie outbreak were to happen. I mean.. Rage, fear, hopelessness, humanity, MOTHER FUCKING ZOMBIES!!
The Living Dead reverberates with tension-filled energy. Trust me! This is truly a celebration of his legacy, a final farewell to the Dead franchise.
Stay scared. My review of THE LIVING DEAD can be found at High Fever Books. The Living Dead is a sprawling, massive, and mostly entertaining read, but it's also a frustrating, nearly page testament to just how little life -- and originality -- remains in the zombie genre.
It's been more than 50 years since George A. Yet, like the zombies themselves, this particular genre continues to lurch on, its tropes transgressing to cliche as the human survivors of these undead wastelands attempt to figure out all the things its audiences know all-too well by now.
We know that as surely as you kill a vampire by staking it through the heart, you must kill the zombie by shooting it in the head.
We're supposed to find suspense in characters fumbling their way into discovering all the rote genre trappings that have been ingrained in us for decades and suspend our disbelief enough to buy into a world where these characters have never even heard of a zombie.
More likely, you'll be shouting at the book, demanding the characters to stop being stupid and shoot that shambling corpse in the head already!
To the dozens of characters we follow in The Living Dead, everything that is new to them is an old, worn out hat to us, and not even Romero and Kraus can find much of a pulse in these discoveries as they work their way, in checklist fashion, from one worn out conceit to the next.
By forcing a reboot on the Romero legacy of the zombie outbreak, only scantly predating Night of the Living Dead, there's not much to be had in the way of originality or innovative ideas here.
The characters and the contexts they're placed in are, at least, interesting enough, despite being overly familiar. If you're a regular reader of apocalyptic narratives or zombie books in general, you're likely to find these elements irritatingly familiar, and it almost becomes a bit of a guessing game to name off all the other books that have trod similar ground previously.
The Living Dead is divided into three acts. The bulk of Act One is relayed in mosaic fashion as we're introduced to a large number of disparate characters operating in their own disconnected environments.
There's a pair of star-crossed morgue workers, the men and women of WNN broadcasting, the Navy crew operating aboard the floating island of an aircraft carrier, the Olympia, and a teenage girl who wakes up to find her trailer park neighbors in a sudden war against the undead.
Taking up more than half of the book's entire page count, Act One eventually devolves into a slog of familiarity as well-worn plot devices are repurposed and only occasionally given if not a face lift, then a minor bit of nip and tuck here and there.
Act Three takes us a full fifteen years into the future, with the survivors from the preceding acts attempting to establish a new civilization.
For as much as The Living Dead aggravated me, and too often left me yearning for other books to read despite being bound and determined to finish this damn epic, there were a number of high points to be found.
Romero, zombie fiction in general, and horror in particular. Make no mistake, it certainly is political, deliberately and keenly so.
One character, Etta Hoffman, is responsible for cataloging the zombie apocalypse and recording the stories of these survivors, capturing the particular sentiments of a time and place, which just so happens to be the here and now, and good lord, is there ever a lot to say about present-day America, not all of it good or even particularly flattering nowadays.
The racist and bigoted brigade of Red Hats among us will make plenty of hay over the number of minority characters that feature prominently throughout, and they will no doubt find plenty of other things to be ticked off about here, too, including copious amounts of shade thrown at their orange, small-handed Dear Leader.
I loved how openly and flagrantly political this book was, from its first pages right on through to its last. While The Living Dead is much too long, and occasionally suffers for it, oftentimes feeling like an absolute slog to get through, much of its final act is an absolutely potent gut punch.
There were moments that made me ache and left me feeling miserable, and I expect a number of other readers to be turned off by the darkly pessimistic detours Kraus takes these characters through.
It is, however, a wholly fitting, and purely Romero-esque, finish that echoes the despair of the film that started us down this entire path. The end point, though, remains the same and its final message is certainly an appropriate one in these days of bitter political divides and tribal in-fighting.
We all — each of us — need to do better, and be better. Otherwise, for now at least, the dead win. Aug 17, Ashley Daviau rated it really liked it.
Do keep in mind when reading this though that, Daniel Kraus finished this book, not Romero. Both authors voices are weaved throughout and I really think it was spectacularly done.
Now onto the book itself! Act 1 was a bit slow for me, it was a big information dump that was laying out the story to come and it got a bit long at times and that was my only issue with this book, it could have been a lot shorter and snappier!
Once we got to Act 2 and 3 though, I was enjoying the HELL out of it. I loved seeing all the characters come together and the connections between all of them popping up.
Characters and plot aside though, the zombies truly are the best part of the book. Jan 25, Carl Bluesy rated it really liked it.
This book is as great as it is long. I was excited to read anything by George A. The Living Dead is a book I expected a lot from. From a George Romero manuscript, Daniel Kraus was finally going to let us witness how it all happened.
My first disappointment came right at the beginning. T The Living Dead is a book I expected a lot from.
This first part of the book is very interesting. Indeed, we do get to witness what happened. Your basic zombie fare. Some humans being more despicable than their dead relatives.
So, I was also expecting to see the events unfolding worldwide, but the story stubbornly remained relatively local. We were also promised horror, and horrific it is.
I have no problem with that, and Daniel Kraus delivers. The characters are well fleshed out, and you get invested in them big mistake, as we all know.
So, in the end, this is good zombie story, but I was expecting more in pages, and not more of the same. Thanks to Random House UK, Transworld Publishers and Netgalley for the ARC provided in exchange for this unbiased review.
Aug 12, Elena Linville rated it it was ok Shelves: arcs , dystopian , won-t-recommend , meh , zombies. So I was eager to start the book as soon as I got the ARC from NetGalley, but my excitement soon turned into bewilderment, the disappointment.
First of all, this book is way too long at pages and it feels a lot longer when you read it. At least pages could have been safely cut without loosing any plot, which says some 2 out of 5 stars I was excited to read this book, because I loved the Dawn of the Living Dead and I think that George Romero pretty much invented the zombie apocalypse genre.
At least pages could have been safely cut without loosing any plot, which says something. In all the chapters, action scenes are constantly interrupted by characters' introspection, flashbacks, and philosophical musings.
The worst offender is the scene of their "softie" recovery towards the end of the book which is interspersed verbal accounts by all characters present of how they got to that particular point in time.
This makes this one scene last over pages! It could have been tense and heart-pounding, or even deep and poignant, considering their mission, instead it's a snooze fest.
When we finally reached the end of that scene, I wasn't even sure why the characters were there anymore or why I should have cared.
That's another problem - of all the impressive cast or characters, I could maybe sorta care for about one or two, and even that is pushing it.
To my growing disappointment, almost all the characters I cared about died in the early stages of the book.
I would have much rather followed Jenny than Nakamura, especially considering the stupid way she died and that we had to then follow the story of the person who killed her.
The biggest problem though is that when George Romero died, somebody else had to finish the book, and the two parts do no gel well, at least in my opinion.
And you can clearly see where the original book ended and the new chapters began - instead of continuing the story in its logical progression, the new author chose to jump 15 years ahead.
That wouldn't have been too bad. A lot of books use this plot device, after all. Unfortunately, it doesn't work well here.
I was expecting at least some kind of character growth or change between the two parts of the book. After all, nobody stays the same during 15 years.
Heck, I'm not the same person I was 15 years ago, and I didn't have to live through a zombie apocalypse. But these characters, it's like they were frozen in time for those 15 years.
NOTHING changed for them. They still act the same, have the same motivations or quirks, heck, some of them are still hung up about a lover they lost 15 years ago.
That's why the two parts don't gel for me. You tell us over a decade has past, yet you don't SHOW us that, not with your characters.
And that's the biggest problem of the second part of the book for me. Because of that time jump, instead of following the characters through their struggles in this brave new world past the initial days of the zombie uprising, we have to listen to them recount the experience This is the classic mistake of tell, not show.
Sure, some authors managed to use this technique brilliantly just think of World War Z, which is nothing but interviews and verbal accounts of things that already happened , but it DOESN'T WORK here.
Sure, the characters are telling these stories, but as a reader, I am not emotionally invested in them, especially considering that the sometimes horrible things they recount didn't seem to change them at all.
So by the time I got through the interviews and the slog of a "softie" recovery scene, I wasn't really invested in the book anymore.
Why should I care about Richard and the vote for the leader of Old Muddy? I didn't get a chance to follow the characters while they met and bonded and built that settlement, so I wasn't emotionally invested in the stakes anymore.
To summarize, this is an over-written, disjointed and disappointing book. The only reason I gave it 2 stars instead of 1 is because there was one glorious chapter that I absolutely loved - the chapter with Greer at the trailer park in the very beginning of the book.
That was scary, heart-pounding and horrible just like the best zombie books should be. Too bad that nothing that happened afterwards would even come close.
Aug 21, The Geeky Viking rated it did not like it. Let me start off by saying I'm a HUGE fan of George A. Romero, particularly of his Living Dead films.
DAY OF THE DEAD is in the top five of my favorite films of all time. I even have a soft spot for his final Dead movies, DIARY OF THE DEAD and SURVIVAL OF THE DEAD.
So, when I heard that there was an epic novel coming from George and his posthumous collaborator, Daniel Kraus, set in the world of his Dead films, I couldn't hit the pre-order trigger fast enough.
Now, after having read it, I'm reall Let me start off by saying I'm a HUGE fan of George A. Now, after having read it, I'm really wishing I would have never bothered.
Billed as "epic" and "landmark" and other marketing buzzwords, THE LIVING DEAD is anything but. What it is, however, is an overlong, tedious slog through a zombie scenario done a million times before and done better.
It starts at the beginning of the zombie outbreak and bounces between a diverse cast of characters about as they try to grapple with this new, horrifying, reality.
Author Daniel Kraus, who does the bulk of the heavy lifting here, having worked off notes and partial manuscripts left behind by George, admittedly does a great job with the gore but fails miserably at everything else.
His prose isn't good. It's extremely wordy and stuffed full of pointless asides that do nothing to advance the overall story. The cast of characters, while diverse, are nothing more than caricatures.
You've got the rebellious young Black girl, the gay Asian navy officer, the tough-as-nails White chick, the sensitive musician, etc, etc.
Beyond these labels there's nothing of substance to them and little to care about. The book's structure is also a massive problem.
The novel opens at the start of the zombie plague and it's here that the book is at it's best. Kraus manages to craft a couple cool set-pieces, including the assault at the trailer park and the carnage filled chaos aboard the naval battle ship, but is unfortunately unable to maintain the suspense and tension generated from them, skipping ahead ten years and then another five shortly after that, telling us rather than showing us all of the events that have happened between.
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Edit Cast Series cast summary: Colin Morgan Nathan Appleby 6 episodes, Charlotte Spencer Charlotte Appleby 6 episodes, Malcolm Storry There are also some other films that have been released as sequels to various films in Romero's Dead series, most likely to ride on the name recognition that Romero's films enjoy.
They have been produced due to the various mix-ups with the copyright and ownership of the movies, Romero himself owns only Dawn of the Dead from his first four films.
Directed by Lucio Fulci. Also known as Zombie in the U. The film that was already in production when Dawn of the Dead was released, but was renamed to be a sequel upon its release Dawn of the Dead was titled Zombi in Italy.
This movie has a history of official and unofficial sequels itself see Zombi film series. Directed by Ana Clavell and James Dudelson.
While billed as a sequel to Day of the Dead , as Taurus Entertainment Company holds the original's copyright, it has no actual ties to the original Day of the Dead or the series although the prologue is set in Pittsburgh Taurus Entertainment Company eventually announced plans in August to produce a sequel, with a working title-turned-official title, Day of the Dead: Epidemic , which is set to be the third installment of the series.
Directed by Jeff Broadstreet. The original's status as public domain made it possible to produce this film without the involvement of either Romero or Russo.
Directed by Steve Miner , the story is located in Leadville, Colorado , where the couple of Trevor Michael Welch and Nina AnnaLynne McCord find themselves in a town suddenly sealed off by military forces Mena Suvari , Ving Rhames and Nick Cannon.
People begin acting strangely and the dead come back to life, with the couple and the soldiers trying to escape. This film is a sequel to Night of the Living Dead 3D and is not the same as Night of the Living Dead: Reanimated  , which is an animated film using various techniques to retell the story of the original film.
In January , a second reimagining of Day of the Dead was released, titled Day of the Dead: Bloodline. Directed by Kevin S.
A parody of the original film, where a satellite crashes to Earth bringing radiation that promptly animates — as opposed to re -animating — all manner of homicidal bread, from buns to biscuits to Communion wafers.
Night of the Day of the Dawn is the shortened title of a parody created by James Riffel , which is the classic Night of the Living Dead film with redubbed comedic dialogue and some new clips.
The complete title of the movie is: Night of the Day of the Dawn of the Son of the Bride of the Return of the Revenge of the Terror of the Attack of the Evil, Mutant, Alien, Flesh Eating, Hellbound, Zombified Living Dead Part 2.
Directed by Lloyd Kaufman. After a fictional fried chicken franchise opens a restaurant on the location of an Indian burial ground, the chicken corpses come to life, wreaking havoc on the site.
Directed by J. A short-film parody of the original George Romero film, a zombie attacks a couple in an old graveyard to impress his zombie girlfriend.
Directed by Edgar Wright. The film is about an unmotivated slacker who must cope with a zombie uprising, in London, while trying to sort his life out.
Simon Pegg notes in the interview on the DVD Release of Shaun of the Dead and in an interview on BBC Radio 1 prior to the film's release that they sought George A.
Romero's blessing and acknowledgement or the film would not have been released. Directed by Andrew Currie. The film takes place after the zombie apocalypse, in a small, safe, idyllic s-style town.
In this film zombies are kept as slaves or pets, until something inevitably goes wrong. Directed by Gregg Bishop.
The film is about a high school prom in Georgia which is unexpectedly interrupted when a graveyard, next to a power plant, becomes the sudden source of reanimated cadavers.
As zombies march on the high school, a motley group of dateless teenage outcasts take on the zombies and save the day.
Also known as Apocalypse of the Dead in the U. The movie is in English and it has been released by Epic Pictures Releasing in America on September 1, under the title Apocalypse of the Dead.
It has a cult status in some regions and a sequel is in development. Directed by Roy Frumkes. Document of the Dead is a documentary film that takes a look back from Romero's first television commercials onward and it chronicles his career and stylistic techniques.
Directed by Nicolas Garreau. Fan of the Dead is a minute documentary road-movie revealing the filming locations of Night of the Living Dead , Dawn of the Dead , Day of the Dead and the Night of the Living Dead remake, with exclusive interviews with the cast of George A.
Romero's trilogy. Additional credits: Music by Sebastian Munoz and Antonio Martino; edited by Olivier Andre.
Directed by Robert Lucas as Robert L. Lucas and Chris Roe. One for the Fire: The Legacy of 'Night of the Living Dead' is a documentary film made to celebrate the 40th anniversary of George Romero's Night of the Living Dead.
It features most of the main people behind the film, as well as a few of the lesser known people who had minor roles in the movie. Romero, John Russo, Russell Streiner, Judith O'Dea and Karl Hardman are among those interviewed.
Additional credits: Produced by Robert Lucas and Chris Roe; written by Billy Gram, Robert Lucas co-creator and Chris Roe concept creator ; music by Jess Bryden ; cinematography by Robert Lucas; edited by Michael Felsher.
Directed by Jeff Carney. Autopsy of the Dead is a documentary film that examines the living history behind Night of the Living Dead that has since attained the status of a cultural phenomenon.
Additional credits: Produced and written by Jeff Carney and James Cirronella ; editing and Cinematography by Jeff Carney. Directed by Gavin Shaw and Craig Belliveau.
Cinemall is a short documentary film about the Monroeville Mall, the main location of Dawn of the Dead. Additional credits: Produced and cinematography and editing by Gavin Shaw and Craig Belliveau; written by Gavin Shaw; music by Carlo Carosi.
Directed by Rob Kuhns. Birth of the Living Dead focuses on the impact Night of the Living Dead had on pop culture. Although the majority of the Living Dead media has been films, related projects have been released in other media.
A handful of books and comics books take place in the Living Dead universe. As with the films, some of them are officially endorsed, while others are not.
From Wikipedia, the free encyclopedia. Living Dead Created by George A. Romero John A. Main article: Night of the Living Dead film series. Main article: Night of the Living Dead film.
Main article: Dawn of the Dead film. Main article: Return of the Living Dead film series. This section possibly contains original research.
Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed.
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Main article: Night of the Living Dead 3D. Main article: Day of the Dead film. Main article: Night of the Living Dead 3D: Re-Animation.
Main article: Day of the Dead: Bloodline. Main article: Night of the Living Bread.The Living Dead; February 4, | Devotionals. Even so consider yourselves to be dead to sin, but alive to God in Christ Jesus (Romans , nasb). The Living Dead (Chinese Movie); 陈情令之生魂; Chen Qing Ling Zhi Sheng Hun;; Near Qishan Mountain, there is a little town called Fu Feng, which is nicknamed. Living-Dead – an oxymoron to the world, but a way of life for the Christian. Are you a member of the living dead? The best thing that can happen to a Christian is for them to die – to self, so. “The Living Dead” is a Chinese fantasy movie directed by Qiu Zhong Wei. While on his travels, a young man named Wen Ning (Paul Yu) comes across a mysterious town named Fu Feng. The town’s inhabitants live in perpetual fear of malevolent spirits who – so they say – are attracted to candle and lantern light at night time. Created by Ashley Pharoah. With Colin Morgan, Charlotte Spencer, Malcolm Storry, Kerrie Hayes. When a young couple inherit a farm, they are determined to turn it into a success, but strange supernatural forces soon intervene, threatening their marriage and their lives.